# AI clips, stills and voice-over inside your NLE — eroq for DaVinci Resolve, Premiere Pro and After Effects > How the eroq editor plugins work. Renders that land in the Media Pool or the project bin as they finish, engines by name with their price, voice-over from the roster or your clones, and a real editing session. Published 2026-09-21 · eroq.ai — canonical: https://eroq.ai/blog/eroq-for-davinci-resolve-and-premiere An editor's workflow has one rule: the footage is in the project or it does not exist. The eroq plugins for **DaVinci Resolve** and for **Premiere Pro and After Effects** follow it — write the shot, pick the engine, Generate, and the clip is in the Media Pool or the project bin when it lands, with a local copy kept. Same for a still and for a voice line. This guide is the two installs, the panel, and a cut done with it. ## DaVinci Resolve A Python script under **Workspace → Scripts**, on the free edition and on Studio. 1. Download the zip from the [Resolve page](/plugins/davinci-resolve) and run the installer inside — `install.command` on macOS, `install.bat` on Windows. 2. In Resolve, **Workspace → Scripts → eroq**, then **Connect eroq**: the browser opens eroq.ai, sign in, click Allow. The tab says it is connected; close it. 3. Choose **Video**, **Image** or **Speech**, write the prompt, Generate. The render appears in an **« eroq » bin** of the current project. Tick **Append to timeline** and the clip is cut in at the end of the active timeline as soon as it arrives. Resolve needs Python 3 on the machine to run scripts; if the Scripts menu is empty, that is why, and the README lists the versions. ## Premiere Pro and After Effects One CEP panel for both apps. 1. Download the zip from the [Premiere page](/plugins/premiere-pro) and follow the README: during the beta the extension is unsigned, so there is a one-time developer-mode switch. 2. Restart the app and open **Window → Extensions → eroq**, then **Connect eroq**: sign in and Allow in the browser. 3. **Video**, **Image** or **Speech**; prompt; Generate. The file is imported into the open project — and into an eroq folder on disk, so it survives a project move. Premiere Pro 2019 (v13) or later; After Effects 2019 (v16) or later. macOS and Windows. Both plugins get a key named after the app and the machine — « DaVinci on edit-bay-2 (connected) » — under Developers → API keys on eroq; revoke it there to disconnect. Reconnecting the same name replaces its key. ## The panel The same three tabs in each host, and the same choices as the studio because they read the same API: - **Video** — engine by name, from the 16 in the lineup, with the price of the length you chose and the plan a locked engine needs. Length on the engine's grid; frame format; a reference image on engines that read one. A five-second clip is 45 credits on [Seedance 2.0 Mini](/models/seedance-2-0-mini), 170 on [Kling 3.0](/models/kling-3), 530 on [Veo 3.1](/models/veo-3-1). Renders take one to five minutes; the panel polls and imports. - **Image** — model, prompt, five frame formats; 10 credits on Krea 2. Seconds to land. - **Speech** — the line, a voice from the roster or one of your clones; an MP3 imported next to your footage. 3 credits per 100 characters on Voice One. The balance sits in the header, from `/v1/account`. Locked engines are shown, not hidden, with the plan that unlocks them. Failed renders refund themselves, and a policy refusal shows eroq's message. ## A session: the missing insert You are cutting a 40-second product spot in Resolve. The client's footage has the product on the table and the model's hands; it has no establishing shot and no close-up of the logo. 1. **Video tab.** « Slow push-in on a matte black speaker on a walnut sideboard, morning light through linen curtains, dust in the beam. » Kling 3.0, 5 seconds, 16:9 — 170 credits. Append to timeline off; you want to place it. Two minutes later it is in the eroq bin. 2. **Image tab.** « Extreme close-up of a brushed-aluminium logo plate, shallow depth, warm rim light », 16:9, Krea 2 — 10 credits. A still; you will add a 3-second push in Resolve's transform. 3. **Speech tab.** The tag line, in the client's cloned voice from the studio — 3 credits for a short line. It lands in the bin; drop it under the last shot. 4. Cut the establishing shot first, the still over the logo mention, the voice under the end card. 183 credits, no export from a browser, no import dialog. ## When the render needs more than one shot The panel renders a clip. For a *sequence* — several shots that must match, a cast that stays the same, continuous shots from one to the next — write it in [Cinema](/studio/cinema), render the scenes there, export the cut and import that. The panel is for inserts, plates and voice; Cinema is for the film. The [Cinema note](/blog/introducing-cinema-script-storyboard-edit) explains the split. ## Where the files are Every render is in your eroq [Library](/studio/library) with its recipe, and in a local eroq folder next to the imports — the panel downloads right away because media links are signed and expire. Delete the local copy and re-download from the library any time. ## FAQ ### Does it work in the free version of Resolve? Yes. Scripts launched from Workspace → Scripts run in both editions; the plugin needs Python 3 installed. ### Is it the same panel for Premiere Pro and After Effects? Yes — one extension runs in both apps and imports into whichever project is open. ### Why is the Adobe install manual? The extension is not signed for the Adobe Exchange yet during the beta; the README walks through the one-time developer-mode switch. Nothing else about the install is unusual. ### Can I choose the resolution? On engines that offer several, yes — the panel lists what the engine serves, up to 2K on [Hailuo 3](/models/hailuo-3) and 1080p on several others, priced per second at that resolution. Download from the [Resolve](/plugins/davinci-resolve) or [Premiere Pro](/plugins/premiere-pro) page — the first insert is on the free credits.